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February, Alison Bechdel was invited to give the annual Paumanok Lecture on American Literature and Culture at Long Island University’s Brooklyn campus.
The series is sponsored by the English department, and previous speakers have included Alfred Kazin, Elizabeth Hardwick, Irving Howe, and Edward Said.
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The title, however, gives you an idea of what Bechdel is up to.
She borrowed it from a beloved but unsettling children’s book by P. Eastman, published fifty years ago, in which a baby bird, which hatches while its mother is off catching worms, leaves the nest in an anxious search for the missing parent it has never seen, asking a variety of creatures—a cow, a dog, a kitten, and, finally, a power shovel—if they are she.
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Bechdel was introduced as “the daughter of two English teachers”—to polite laughter. She is the author of “Dykes to Watch Out For,” a cartoon strip that ran for twenty-five years, between 19, in more than fifty alternative newspapers, and of “Fun Home” (2006), a best-selling graphic memoir of her father, Bruce.
“Fun Home” was the first and only work of its kind to be a finalist for the National Book Critics Circle award.
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